Wednesday, July 23, 2014
Happy fiftieth birthday to Roald Dahl's Charlie and the Chocolate Factory, which was originally published in 1964. To celebrate, Penguin has a new paperback edition plus a golden ticket sweepstakes.
It's hard to imagine a book that was more influential for me than Charlie and the Chocolate Factory and all of Roald Dahl's books for that matter, which were so powerful with their combination of humor, heart, but with a very sinister underpinning that perfectly captures what it's like to be 10-12 years old. The world at the age is amazing and funny and wondrous, but also a little scary.
Happy birthday to one of the greatest children's books of all time. While many people's memories of the book are shaped by the equally indelible film version Willy Wonka and the Chocolate Factory (and to a lesser extent the Johnny Depp/Tim Burton version), some of us remember that Veruca Salt wanted a squirrel and not a golden goose, Mike Teavee was overly stretched to ten feet tall, and a vermicious knid is an alien, not a dangerous creature on Loopaland.
What's your memory of Charlie and the Chocolate Factory?
Monday, July 21, 2014
I often receive e-mails from young writers in high school and even younger, and I'm always so impressed with them and even a little bit jealous. I had no idea I wanted to be a writer when I was in high school and I rue all those years I could have spent honing my craft. And even if I had known I wanted to be a writer, I didn't have the Internet to reach out to other authors and learn more about what it takes to write a novel.
These young people are getting such a head start on their careers, and I can't wait to see the incredible books they produce.
There's a long tradition of writers offering advice to young writers, perhaps none greater than Rainer Maria Rilke's Letters to a Young Poet. I can't top that, but here's my own modest contribution to the genre.
Here's my advice for young writers:
Don't write for the writer you are now. Write for the writer you're going to become.
Writers aren't born, they are made. It takes most writers years and years to hone their craft, and it's helpful to have had years and years of reading experience now. By the time you've reached high school you have lived enough to have tasted the world and it may feel like you're ready to channel it all into a novel, but don't expect that your writerly success will come immediately.
Yes, there are occasional wunderkinds that defy this rule. But even S.E. Hinton, who published The Outsiders when she was sixteen, had already written several novels before that one.
Within the publishing industry, you won't be judged based on your age, you'll be judged against other writers who have spent years and even decades writing. Being good for your age isn't enough. You have to be good period, and it's difficult to achieve that level with limited experience.
Don't judge your writing success by whether you're able to find publication immediately. Instead, write to get better, write for catharsis and practice and fun. Your future self will be thankful for the time well spent.
Create the world you want, but don't leave the one you're in.
Teenage years can be incredibly difficult. You might feel trapped by parents, peers, or a school that doesn't understand you or even mistreats you. You have limited control over your life even as you're old enough to grasp that there is something more out there, if only you were allowed to go and get it.
Writing can be an incredible release. It gives you the ability to create a world that's better than the one you're living in. It gives you the power you don't have in your day-to-day life.
Use it well. But don't disengage with the world you're living in. Writing can feel like a substitute for real life, but it's important to find people in the real one who you can talk to, whether that's friends, a teacher, or fellow writers. Don't let your characters be a substitute for real-world relationships.
Don't be afraid to imitate at first.
Nearly every writer who starts out can see the fingerprints of their favorite writers in their work. This is normal.
Don't be alarmed if you feel like you're writing someone else's book at first. Push forward. Keep writing. Even take up fan fiction if you want to.
It takes time to learn how to craft a plot, to write sophisticated dialogue, to infuse your work with emotional depth. It takes many writers years to hone these skills.
One thing you can do in the meantime is to find your voice. Write, write, and write some more. In the beginning your work might sound like someone else. But eventually you'll make it your own.
Don't ever apologize for being a writer.
Adults often underestimate teenagers. They treat them as if they are still children, when it's not true, and they may not think you're capable of being a great writer when you absolutely are. Or, possibly worse, they might try to indulge you and be overly enthusiastic, when you know they secretly are not taking you seriously and think your writing is a phase you're going to grow out of.
Your writing is worthwhile. Your writing is important. Don't let anyone tell you any differently.
There are a lot of people in life who never try to achieve their dreams. They would rather sit back and be a critic than an artist, because it's easier to see what's wrong with someone else's work than to create your own. There will always be naysayers. But...
So go for it. There is a whole world waiting for you to bring it to fruition.
Art: Schreiben der Knabe by Albert Anker
Friday, July 18, 2014
|Photo by me. I'm on Instagram here.|
but never fear! We have some terrific links for you!
Let's get to it.
Some big news today as Amazon officially rolled out its rumored $9.99 Kindle Unlimited subscription plan. Is this the long-awaited "Netflix of books?"
This was one of my favorite Buzzfeed features in a long time: the book covers of 90s book title mashups (like The Little Prince of Bel Air).
Which rappers are more verbose than Shakespeare, and which... uh, aren't? This chart is awesome. The Wu Tang Clan can hold their craniums high.
It's really important to revise your novel. But when is enough enough? Here are some red flags that you might have revisionitis.
Exposition is so tricky to handle deftly. Writer Jennifer Hubbard talks about the most important part of getting it right: Dole out only the information you need to understand what's happening now.
Nathan Bransford catnip: 4 tips on creativity from the creator of Calvin and Hobbes.
In other Bill Watterson news, OMG new Bill Watterson comic.
Do you have a self-published masterpiece? If so the Guardian wants you to submit it for review. They're choosing one self-published book to be featured each month.
Penguin Random House unveiled their new logo, disappointing everyone who hoped it would be a penguin standing in front of a house. Here is what they come up with instead:
Agent Kristin Nelson has an important reminder for all authors: read your contracts.
19 rare recordings of famous authors.
Jason Song has an interesting article about authors who are turning to young adult fiction.
Tony Horwitz wrote about the travails of being a digital bestseller.
Charlie Jane Anders has a tip for cutting down your novel: outline outline outline.
And finally, friend-of-the-blog Tony Schmiesing is a quadrupalegic skiier whose quest to ski Alaska is truly, truly inspiring:
The Edge of Impossible with Tony Schmiesing from HighFivesFoundation on Vimeo.
Have a great weekend!
Tuesday, July 15, 2014
I'm thrilled to be headed back to San Diego in a few weeks for the insanity otherwise known as ComicCon, and I will be participating in two terrific panels!
On Saturday at 6pm, I will be moderating a panel called "Publishing 360: Building a Bestseller," in which we will talk about the different facets of producing a bestseller, from idea to novel to agent to editor to publication. That one will feature Maze Runner author James Dashner and Beautiful Bastard author Christina Lauren, along with their respective agents, Michael Bourret and Holly Root, and their respective editors, Krista Marino and Adam Wilson, and S&S associate director of publicity Kristin Dwyer.
And on Sunday at 1pm, for the fourth consecutive year I'll be moderating What's Hot in Young Adult Fiction, featuring Kresley Cole (The Arcana Chronicles), Kami Garcia (Unbreakable), Tessa Gratton (United States of Asgard series), Tahereh Mafi (The Shatter Me series), Natalie Parker (Beware the Wild), CJ Redwine (The Defiance series), Brendan Reichs (The Virals series), Margaret Stohl (The Icons series), and Scott Westerfeld (Afterworlds).
See you there!
Monday, July 14, 2014
Unless you've been living deep in the Amazon (the rainforest, not the retail giant), you have probably heard... and heard... and heard... about Amazon vs. Hachette.
There have been op-eds. Stephen Colbert rants. Letters from angry authors. Counter-letters from angry authors.
You should be rooting for Amazon, says some. No, you should be rooting for Hachette, says others.
At this point, I agree with Evil Wylie:
Let us all pray for an end to the Hachette/Amazon dispute before someone writes another blog post.(But apparently, I do not agree enough to refrain from writing my own blog post about it.)
— Evil Wylie (@EvilWylie) July 10, 2014
In case you need a primer, Amazon and Hachette are squaring off over e-book prices. In order to increase their negotiating leverage, Amazon is trying to squeeze Hachette by removing pre-orders for their books and otherwise making them more difficult to procure. This has dragged on for nearly two months, and in order to help quell complaints that it is harming authors, Amazon recently announced a plan to pay authors in full during the dispute, an offer the Authors Guild called "highly disingenuous." (Here's more background from David Streitfeld).
What I find most amazing about this dispute is the extent to which it is a Rorschach Test for your views on the publishing industry writ large. The predictable traditional publishing industry defenders have come out in force against Amazon, and the predictable anti-traditional publishing industry forces (especially certain vocal segments of the self-publishing community) have come out in full-throated Amazonian defense.
Call me crazy, (and yes, I'm not directly affected by this dispute), but I'm not endlessly titillated by the sharp-elbowed negotiations of two massive multinational corporations who are both fighting for their respective financial interests.
Nor do I see it as a referendum on the future of literary culture, which has been on the verge of the apocalypse for the past five hundred years without said apocalypse ever coming to pass.
Instead, I see this as a wakeup call for authors to think about what it is they're actually arguing about.
Here's the thing, authors. Amazon is not your best friend. Amazon is looking out for Amazon.
Hachette is not your best friend, either. Hachette is looking out for Hachette.
Inasmuch as your interests coincide with Amazon and Hachette, they are more than happy to be your friend. And there are great people who work at both companies. But when your interests diverge with theirs and they want to maximize revenue and are able to extract more from you because they've increased their leverage, whose side do you think they're going to choose? Yours or theirs?
Do you endlessly trust Amazon to protect author's interests after they've thoroughly cemented their position as the primary game in town? Are you really happy with the digital royalty traditional publishers are paying?
So where is the for-authors-by-authors publishing option? How about a partnership with the indie bookselling community to create the literary culture we really want instead of hoping that huge corporations are going to come to our rescue? How about instead of picking which intermediary we like better we disintermediate and build a J.K. Rowling-esque option that truly goes directly from author to readers?
Yes yes, easier said than done and someone has to pick up the mantle and do it. I'm, uh, busy with writing and stuff.
But at the very least, count me out of the letters and counter-letters and the flame wars and the bile. Rather than authors fighting it out we should be working together to create something better.
Art: Symposium by Akseli Gallen-Kallela